Best films of 2021

These are the best films I watched that were released in the UK in 2021. There are some films that were technically out in 2020 but didn’t get a UK release until this year.

This list will also be in no particular order as I can’t make up my mind as to what the literal best film I watched last year was.

My Top Films of 2021

Undine directed by Christian Petzold

Perhaps my biggest film discovery of 2021 was the work of Christian Petzold, an arthouse director from Germany. I was utterly blown away by Undine which had its UK premiere in 2021 on Mubi (I swear I talk about this platform too much but it’s literally the best!). Alongside the film, they have a collection of his work called Phantoms Among Us: The Films of Christian Petzold and it was amazing to go through nearly all of the films he’s made, from short art pieces to full-blown masterpieces.

Undine is magical and has fast become one of my all-time faves due to its intoxicating mix of myth, architecture and romance. Sublime. Read my full review for Undine here.

Dune directed by Denis Villeneuve

I have mixed feelings about Dune. I enjoyed the book but it was a struggle to get through in places and in a similar way I found the movie enjoyable but also a little tough to get into. Sometimes it felt too big and hollow as personally, we didn’t get enough time to build up a connection with the characters, in this respect, a mammoth-like Dune would work better as a tv series, think 8 or 10 1 hour episodes. I also found that while the film is beautifully shot the colour palette was a little boring and later on in the movies in the scenes where the film flicks between broad daylight (dream) and darkness (reality), it really hurt my eyes.

Everything else was wonderful. I loved the casting. I will watch anything with Oscar Isaac in and Rebecca Ferguson played Jessica amazingly. Zendaya was in the film for the briefest moments but she was enchanting as Chani and Timothee Chalamet was the perfect choice for Paul. My only gripe with performances was that Dave Bautista was a bit too over the top but I can live with it.

The soundtrack was A+ ( I mean Hans Zimmer is always a winner) and the movie has made me want to continue reading the series so I guess that’s good too. I think I overhyped the movie because I love Villeneuve‘s work especially his Sci-fi stuff but I have to say I think a re-watch will make me love the movie more.

Spencer directed by Pablo Larrain

Like the ghost of Anne Boleyn haunts Diana in the movie this film is going to haunt my mind for a while. I was blown away by how emotionally raw it was and the fact that Kristen Stewart disappeared into the role perfectly, I suspect an Oscar might be on the horizon. The cinematography was perfection and the fuzziness of the film stock and colour palette felt dreamy and almost a little haunting in itself.

Don’t Look Up directed by Adam McKay

Satire at its best. The comet is obviously a metaphor for the climate crisis and it works really well. I can’t believe that the absurdity of this film is so close to reality but it most definitely is, and that’s quite scary. Probably the best comedy I watched in 2021. And finally, I would totally become unhinged if this happened in real life.

The Matrix: Resurrections directed by Lana Wachowski

Lana Wachowski, I love your mind. This was a brilliant sequel that was technically not needed and could have been a blatant studio cash in on 90’s nostalgia and the popularity of movie franchises - maybe it still is and maybe I’m one of the only people that really enjoyed this film, but tbh I don’t care. What Lana made Resurrections into was actually really beautiful. Born out of losing her parents (and the fear of the studio doing a sequel with or without her) she resurrected Neo and Trinity and she created a film all about love and the power it can have as a force of good.

I also loved how the film comments on the real world, especially through Neo aka Thomas Anderson being dosed up on blue pills to make him a ‘functioning’ member of society and the fact that Trinity aka Tiffany was made into a mother, perhaps out of expectation rather than a real desire to become one. There’s also a scene in an elevator where everyone is staring at a screen except for Anderson, people are willfully enslaved to tech and the Matrix has weaponised everything. Even memories are bent into ‘fiction’ to keep people oblivious. Genius.

If you’ve ever watched the sensational tv series Sense8 which was also created by Lana then you’ll also be delighted to see many familiar faces appearing in the movie. And thematically there’s a cross over too. Togetherness and love are weapons for good and in the 60 years after the events of the original trilogy, some machines and humans are working together, there is no us vs them anymore. and really Neo was never really ‘The One’, he was made whole by Trinity, so really together they are The One, and that’s just fucking beautiful.

Another Round directed by Thomas Vinterberg

Thomas Vintergberg and Mads Mikkelesen are a cinematic force to be reckoned with, The Hunt (<- click to read the review) is one of the best films I’ve ever seen and their 2nd collaboration is just as electric. I will watch anything Mads Mikkelesen is in, I have watched some absolute shit because he’s in it and tbh I will also watch anything Vinterberg makes because he’s a brilliant director, even that weird sci-fi film he made after Festen…I will watch it!

Another Round is funny, earnest and heartbreaking and looks at life in a very beautiful way and I think it’s the kind of film we all needed in 2021 because shit has been super dark these past 2 years. Also that final scene is a revelation and instantly iconic…what a life!!!

Passing directed by Rebecca Hall

Rebecca Hall’s first film as director, Ruth Negga and Tessa Thompson in lead roles, beautiful black and white cinematography and a tinkling jazz motif. This film was amazing, and so dark and complex. Every cinematographic choice made is deliberate and works to function as a riff on the idea of passing and how limiting and restrictive society can be. I have as a result of watching Passing bought the book it was based on by Nella Larson because I just have to delve more into it.

The Green Knight directed by David Lowery

Yikes, this was a depressing film, but it was an absolute piece of art. Taking one of the most famous 14th-century chivalric romances and turning it into a dizzying cinematic journey of operatic proportions is just genius. This is the kind of film that only comes around every so often and it is something to behold, unfortunately in the UK we didn’t really get much of a cinematic release so I had to watch it at home, and I literally ended up watching it on new years eve as I was putting it off for a while out of annoyance. Also, on a side note, the fox was really cute and I would never have volunteered to face the Green Knight because I’m an absolute coward.

Did I cry? Yes, quite a few times actually. I don’t really know why but I think it’s because I’ve been feeling quite emotional recently and I’ve also been feeling really unwell all over the Christmas period and there’s also been a return to death-related panic attacks that I wrote about last year here.

Shiva Baby directed by Emma Seligman

Stressful to watch and sometimes feels like a horror movie, Shiva Baby has to be one of the most fascinating and darkly amusing films of 2021. The concept hooked me and Seligman certainly delivered. It’s funny, awkward and in parts rather unsettling, especially in certain moments when the cinematography creates an air of immense claustrophobia and the soundtrack becomes overpowering and completely discordant.

Shang-Chi and the Legend of the Ten Rings directed by Destin Daniel Cretton

Was Shang-Chi kinda just the usual father-son conflict plot? For the most part yes, but was it infinitely better because the legend that is Tony Leung Chiu-wai played Shang-Chi’s father? Absolutely! I do kind of feel like Leung overshadowed Simu Liu’s main character slightly but it’s hard not to when he is such a compelling actor. I am still in awe of that dance-like fight between Xu Wenwu and Yi Ling! But I must admit the bus fight scene was epic too.

Most Disappointing film

The Eternals

While Eternals wasn’t the worst film I watched last year it was certainly the one that disappointed me the most which is perhaps my own fault for overhyping it!

Was the film beautiful to look at? Yes, Chloé Zhao shoots some of this film like its arthouse, especially the natural landscapes and I loved that. Was the cast ground-breaking? Yes, I loved the diversity of the characters on display, there are different races and cultures, and also the first gay and deaf superheroes in the MCU. Why didn’t I like it that much then? The plot. I didn’t feel like we had enough time with these characters, if anything maybe a mini-series would have served them better, or perhaps its on me and perhaps I should have read some of their comics before to get a taste for the characters.

There were characters I liked, for example the bond between Angelina Jolie’s Thena and Ma Dong-seok’s Gilgamesh (why did he have to die!) was beautiful and I loved how he stayed by her side through the centuries and protected her, I also loved Makkari, I thought she was a brilliant character and her relationship with Druig was endearing…in fact I think every other character was more interesting than Sersi and Ikaris - who are supposed to be the main anchors of the film! Even Kingo and his valet had more chemistry with each other! Also, half the film was exposition and I did find it hard to hear what Arishem was saying because I have tinnitus!

I think I will watch it again when It arrives on Disney+ just to see if I was being too harsh and that maybe I was just in a weird mood as when I watched the trailer I felt like the film was going to be one of my faves in the MCU and it just didn’t hit me the way I thought it would!

However, I am super excited for Kit Harrington’s Black Knight because we got a voice cameo from none other than Blade!!! I loved the Wesley Snipes movies as a kid and I think Mahershala Ali is absolutely going to kill the role

My favourite Christmas movies (And a TV show for added festive fun)

Everyone loves Christmas movies; they are the perfect antidote to the cold dark days of Winter, and more so than ever this year they are great for lifting the mood.

In my Festive Favourites of Film & TV, I will also be answering some heavy-hitting questions such as is Love Actually actually good? Is Kubrick’s Eyes Wide Shut a Christmas film? And, of course, the much-debated Nightmare Before Christmas conundrum, is it a Halloween film or a Christmas movie?

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So without further ado, let’s say cheers to the season and have a look at my Festive Faves

Home Alone - Stream on Disney+

A classic that I have watched over and over again since I was a child. Back in the day, my sister and I would watch it on VHS tape probably every year, and we were utterly obsessed with Angels with Filthy Souls the fake black and white gangster movie that Kevin watches and would re-enact the scene over and over again (we still do sometimes). I also think the idea of being left home alone over Christmas spoke to my introverted soul, and I felt that I would totally enjoy it. But I guess every kid felt the same and as you grow up you realise half the joy of Christmas is the communal experience (RIP Christmas 2020).

The Nightmare Before Christmas - Stream on Disney+

I have so much love for this stop-motion masterpiece and while some may argue that it is a Halloween movie I most ardently think that it is a Christmas film and one of the best at that. I think it captures the wonder and awe of Christmas in a very unique and charming way. I watch The Nightmare Before Christmas every year and will probably be watching it on Christmas Eve this year or maybe tonight who knows.

The Holiday - Stream on Netflix

I am a sucker for a Rom-Com and The Holiday is my festive film of choice within that genre, I was umming and ahhing as to whether I should choose Love Actually instead, but I’m not so sure about that film anymore.

I feel like modern dissections make me realise that it’s somewhat problematic, but I still find some of it funny, like the scene with Rowan Atkinson pretentiously wrapping a gift.

But anyway, back to The Holiday, and while it’s not without its issues, I would be inclined to say that it has aged better than Love Actually. It’s light-hearted fluff, and tbh I would totally spend Christmas at Iris’s cute country cottage.

Carol - Stream on Amazon Prime

Carol is gorgeously shot, and the performances by Cate Blancett and Rooney Mara are stunning. I love the moment Carol and Therese meet at the department store.

Also, Therese reminds me of how I used to behave working in retail over Christmas, nervous and quoting product specifications because I read all the material on the items I had to sell. I also wrote a film review of Carol a few years back on my old blog that I copied over to this one (wow, 5 years, to be precise!).

Hjem til Jul (Home for Christmas) - Netflix Original TV Series

This Norwegian language TV series is a concoction of romantic comedy genre tropes in one delightfully festive package, and I can’t get enough!

Joanne is a single 30-year-old nurse who is quite ok with her relationship status until the festive season rolls around. At the first advent dinner, her family criticise her for not having a boyfriend and sit her next to her brother’s noisy twins. Hell on earth, essentially.

So in true rom-com heroine style, instead of resigning herself to a repeat come Christmas Day, Joanne announces that she has a boyfriend without thinking. Thus a mad 24-day hunt ensues as she tries to find the perfect man to bring home for Christmas.

Eyes Wide Shut - Available to rent on BFI Player & other platforms

Am I clutching at straws to include this film in a Festive Favourites list? After all what says Christmas more than a secret high society sex cult?

Well, nothing other than the fact that Eyes Wide Shut takes place over the festive season, and I love Stanley Kubrick, so you can’t stop me from including it!

While it’s not your usual Christmas movie brimming with festive cheer or romance, it’s almost like a shot of reality, or perhaps it could even be called an Anti-Christmas film.

Film Critic Lee Seigel wrote:

“There is the fantasy of absolute gratification, cynically projected from every corner of the culture, and there is the reality of the cookie and the child and the homework and the companion you have chosen, and for whom, despite everything, you sit at home waiting. Compared with the everyday reality of sex and emotion, our fantasies of gratification are, yes, pompous and solemn in the extreme. That is why the film’s recurrent motif is of the Christmas tree. For desire is like Christmas: it always promises more than it delivers.”

This analysis really hits the nail on the head. When you delve deeper into the film, its themes of sexuality, ego, desire, and sexism really are complemented by the fantastic metaphor of Christmas. And, of course, it goes without saying that all those lights make for great cinematography.

Let me know in the comments what your Favourite Festive Film and TV picks are.

Carol Review

Todd Haynes has made a perfect film with Carol, in the lead roles Mara and Blanchett are sensational, the mise-en-scene is sublime, the shooting of the film on Super 16 mm gives it this utterly gorgeous vintage feel and the story is really quite heart wrenching (and while it doesn’t take much to make me cry at the cinema this film hit me quite hard).

Set in 1950’s America, Carol explores the burgeoning relationship between a young shop girl Therese and an unhappily married housewife the eponymous Carol and how giving into their feelings for each other potentially ruins the laters life. Based on Patricia Highsmith’s Semi-autobiographical novel The Price of Salt the film feels very much rooted in reality which makes some of the scenes hard to watch, particularly when Carol and Therese discover that a seemingly kind and down on his luck salesman turns out to be a private investigator charged with the task of gathering evidence for Carol’s Husband to use against her in court and when Carol breaks down in a meeting between lawyers to settle the matter of custody she essentially gives in and admits defeat as there was no way she could win due to the overwhelming evidence of her homosexual behaviour that would essentially deem her to be an unfit mother if it were to be exposed.

All in all Carol is a very important film, it signifies how far society has come from the 1950s (when a woman had to be psychiatrically tested to see if she was sane for having a sexual relationship with another woman) to now, and while the LGBT community is slowly finding acceptance in society there still is a long way and therefore perhaps this film (like Blue is the Warmest Colour did in 2013) can help highlight the completely and utterly beautiful and real love that two women can share for each other so that society can stop judging and continue accepting.

This was stunningly shot, emotionally beautiful cinema at its best and most certainly one of the finest films of the year.

P.S. I’ll leave you with this haunting song from the Final episode of Hannibal as it kind of fits…and I’m just obsessed with Hannibal 😂