Best films of 2021

These are the best films I watched that were released in the UK in 2021. There are some films that were technically out in 2020 but didn’t get a UK release until this year.

This list will also be in no particular order as I can’t make up my mind as to what the literal best film I watched last year was.

My Top Films of 2021

Undine directed by Christian Petzold

Perhaps my biggest film discovery of 2021 was the work of Christian Petzold, an arthouse director from Germany. I was utterly blown away by Undine which had its UK premiere in 2021 on Mubi (I swear I talk about this platform too much but it’s literally the best!). Alongside the film, they have a collection of his work called Phantoms Among Us: The Films of Christian Petzold and it was amazing to go through nearly all of the films he’s made, from short art pieces to full-blown masterpieces.

Undine is magical and has fast become one of my all-time faves due to its intoxicating mix of myth, architecture and romance. Sublime. Read my full review for Undine here.

Dune directed by Denis Villeneuve

I have mixed feelings about Dune. I enjoyed the book but it was a struggle to get through in places and in a similar way I found the movie enjoyable but also a little tough to get into. Sometimes it felt too big and hollow as personally, we didn’t get enough time to build up a connection with the characters, in this respect, a mammoth-like Dune would work better as a tv series, think 8 or 10 1 hour episodes. I also found that while the film is beautifully shot the colour palette was a little boring and later on in the movies in the scenes where the film flicks between broad daylight (dream) and darkness (reality), it really hurt my eyes.

Everything else was wonderful. I loved the casting. I will watch anything with Oscar Isaac in and Rebecca Ferguson played Jessica amazingly. Zendaya was in the film for the briefest moments but she was enchanting as Chani and Timothee Chalamet was the perfect choice for Paul. My only gripe with performances was that Dave Bautista was a bit too over the top but I can live with it.

The soundtrack was A+ ( I mean Hans Zimmer is always a winner) and the movie has made me want to continue reading the series so I guess that’s good too. I think I overhyped the movie because I love Villeneuve‘s work especially his Sci-fi stuff but I have to say I think a re-watch will make me love the movie more.

Spencer directed by Pablo Larrain

Like the ghost of Anne Boleyn haunts Diana in the movie this film is going to haunt my mind for a while. I was blown away by how emotionally raw it was and the fact that Kristen Stewart disappeared into the role perfectly, I suspect an Oscar might be on the horizon. The cinematography was perfection and the fuzziness of the film stock and colour palette felt dreamy and almost a little haunting in itself.

Don’t Look Up directed by Adam McKay

Satire at its best. The comet is obviously a metaphor for the climate crisis and it works really well. I can’t believe that the absurdity of this film is so close to reality but it most definitely is, and that’s quite scary. Probably the best comedy I watched in 2021. And finally, I would totally become unhinged if this happened in real life.

The Matrix: Resurrections directed by Lana Wachowski

Lana Wachowski, I love your mind. This was a brilliant sequel that was technically not needed and could have been a blatant studio cash in on 90’s nostalgia and the popularity of movie franchises - maybe it still is and maybe I’m one of the only people that really enjoyed this film, but tbh I don’t care. What Lana made Resurrections into was actually really beautiful. Born out of losing her parents (and the fear of the studio doing a sequel with or without her) she resurrected Neo and Trinity and she created a film all about love and the power it can have as a force of good.

I also loved how the film comments on the real world, especially through Neo aka Thomas Anderson being dosed up on blue pills to make him a ‘functioning’ member of society and the fact that Trinity aka Tiffany was made into a mother, perhaps out of expectation rather than a real desire to become one. There’s also a scene in an elevator where everyone is staring at a screen except for Anderson, people are willfully enslaved to tech and the Matrix has weaponised everything. Even memories are bent into ‘fiction’ to keep people oblivious. Genius.

If you’ve ever watched the sensational tv series Sense8 which was also created by Lana then you’ll also be delighted to see many familiar faces appearing in the movie. And thematically there’s a cross over too. Togetherness and love are weapons for good and in the 60 years after the events of the original trilogy, some machines and humans are working together, there is no us vs them anymore. and really Neo was never really ‘The One’, he was made whole by Trinity, so really together they are The One, and that’s just fucking beautiful.

Another Round directed by Thomas Vinterberg

Thomas Vintergberg and Mads Mikkelesen are a cinematic force to be reckoned with, The Hunt (<- click to read the review) is one of the best films I’ve ever seen and their 2nd collaboration is just as electric. I will watch anything Mads Mikkelesen is in, I have watched some absolute shit because he’s in it and tbh I will also watch anything Vinterberg makes because he’s a brilliant director, even that weird sci-fi film he made after Festen…I will watch it!

Another Round is funny, earnest and heartbreaking and looks at life in a very beautiful way and I think it’s the kind of film we all needed in 2021 because shit has been super dark these past 2 years. Also that final scene is a revelation and instantly iconic…what a life!!!

Passing directed by Rebecca Hall

Rebecca Hall’s first film as director, Ruth Negga and Tessa Thompson in lead roles, beautiful black and white cinematography and a tinkling jazz motif. This film was amazing, and so dark and complex. Every cinematographic choice made is deliberate and works to function as a riff on the idea of passing and how limiting and restrictive society can be. I have as a result of watching Passing bought the book it was based on by Nella Larson because I just have to delve more into it.

The Green Knight directed by David Lowery

Yikes, this was a depressing film, but it was an absolute piece of art. Taking one of the most famous 14th-century chivalric romances and turning it into a dizzying cinematic journey of operatic proportions is just genius. This is the kind of film that only comes around every so often and it is something to behold, unfortunately in the UK we didn’t really get much of a cinematic release so I had to watch it at home, and I literally ended up watching it on new years eve as I was putting it off for a while out of annoyance. Also, on a side note, the fox was really cute and I would never have volunteered to face the Green Knight because I’m an absolute coward.

Did I cry? Yes, quite a few times actually. I don’t really know why but I think it’s because I’ve been feeling quite emotional recently and I’ve also been feeling really unwell all over the Christmas period and there’s also been a return to death-related panic attacks that I wrote about last year here.

Shiva Baby directed by Emma Seligman

Stressful to watch and sometimes feels like a horror movie, Shiva Baby has to be one of the most fascinating and darkly amusing films of 2021. The concept hooked me and Seligman certainly delivered. It’s funny, awkward and in parts rather unsettling, especially in certain moments when the cinematography creates an air of immense claustrophobia and the soundtrack becomes overpowering and completely discordant.

Shang-Chi and the Legend of the Ten Rings directed by Destin Daniel Cretton

Was Shang-Chi kinda just the usual father-son conflict plot? For the most part yes, but was it infinitely better because the legend that is Tony Leung Chiu-wai played Shang-Chi’s father? Absolutely! I do kind of feel like Leung overshadowed Simu Liu’s main character slightly but it’s hard not to when he is such a compelling actor. I am still in awe of that dance-like fight between Xu Wenwu and Yi Ling! But I must admit the bus fight scene was epic too.

Most Disappointing film

The Eternals

While Eternals wasn’t the worst film I watched last year it was certainly the one that disappointed me the most which is perhaps my own fault for overhyping it!

Was the film beautiful to look at? Yes, Chloé Zhao shoots some of this film like its arthouse, especially the natural landscapes and I loved that. Was the cast ground-breaking? Yes, I loved the diversity of the characters on display, there are different races and cultures, and also the first gay and deaf superheroes in the MCU. Why didn’t I like it that much then? The plot. I didn’t feel like we had enough time with these characters, if anything maybe a mini-series would have served them better, or perhaps its on me and perhaps I should have read some of their comics before to get a taste for the characters.

There were characters I liked, for example the bond between Angelina Jolie’s Thena and Ma Dong-seok’s Gilgamesh (why did he have to die!) was beautiful and I loved how he stayed by her side through the centuries and protected her, I also loved Makkari, I thought she was a brilliant character and her relationship with Druig was endearing…in fact I think every other character was more interesting than Sersi and Ikaris - who are supposed to be the main anchors of the film! Even Kingo and his valet had more chemistry with each other! Also, half the film was exposition and I did find it hard to hear what Arishem was saying because I have tinnitus!

I think I will watch it again when It arrives on Disney+ just to see if I was being too harsh and that maybe I was just in a weird mood as when I watched the trailer I felt like the film was going to be one of my faves in the MCU and it just didn’t hit me the way I thought it would!

However, I am super excited for Kit Harrington’s Black Knight because we got a voice cameo from none other than Blade!!! I loved the Wesley Snipes movies as a kid and I think Mahershala Ali is absolutely going to kill the role

Best Films of 2020

In a year of unparalleled weirdness and chaos, at least we had movies. I find that films are the best kind of distraction and while I didn’t get to see many films in the Cinema I did still get to watch a few new releases thanks to services like Mubi, BFI Player and of course Netflix. So here are my top films of 2020.

My Top 5 Films of 2020

Parasite directed by Bong Joon-ho

Yes, I am fully aware that this film came out in 2019 for most people, but here in the UK, we got Parasite in cinemas at the beginning of 2020 before the world went to shit. And it’s literally a masterpiece. Hilariously dark and with a biting social commentary Parasite is Bong at his best. If you haven’t seen this film yet you most definitely should, it broke records and has made people think twice about subtitle prejudice finally! Look out for a full review on here soon.

Portrait of a Lady on Fire directed by Céline Sciamma

Portrait of a Lady on Fire may be the most beautiful and heartfelt love story I have seen in ages, I was sobbing throughout the last 20 or so minutes, and I can’t stop thinking about it. I even wrote a gushing review earlier this year because I loved it so much. Read the full review: Portrait of a Lady on Fire Review

Emma. directed by Autumn de Wilde

Stylish, aesthetic and thoroughly good fun Autumn de Wilde’s Emma. is a delight to behold. I found myself just utterly enamoured by this whole film, and I think a rewatch may be on the horizon as it’s buoyancy and frivolity would be the most welcome distraction from lockdown 3.0.

The Woman Who Ran directed by Hong Sang-soo

Hong Sang-soo's latest film is a smart and witty look at female relationships and troublesome men. The thing I absolutely love about Hong’s films is that they always feel like the lives on display exist in reality, that if the camera weren’t rolling, everything would happen that way regardless. Read the full film review: The Woman Who Ran Review.

DNA directed by Maïwenn

DNA explores the void left by losing a loved one and how grief can bring out the worst in you or bring you back in touch with your roots. Neige clings to her grandfather through the things he left behind and her connection to Algeria through him. Filled with drama and some necessary injection of humour, this is a compelling film that will leave you questioning the fabric of your own familial bonds.

Honourable mentions: Swallow, Little Joe, The Lighthouse.

Films I should have watched but didn’t (for some unknown reason)

Small Axe Anthology directed by Steve McQueen

I love Steve McQueen’s work, but his films are emotionally brutal. Small Axe is an anthology series that focuses on Black lives in moments in modern British history and looks to be some of his most powerful work yet. I will be watching these important films imminently.

The Wild Goose Lake directed by Diao Yinan

I missed this film at the 2019 London East Asian Film Festival to my annoyance, and then the film became available on MUBI, and I missed it again. I really should have watched it when I had the chance.

Les Misérables directed by Ladj Ly

I am learning French, love social realism films, and films loosely inspired by literary works…don’t even get me started! As to why I haven’t watched this film yet, I don’t know the answer. I keep going to put it on, and then I decide to watch something else, I think it’s because there is just too much choice. Also, on some platforms like Mubi or All4, you only have a limited time to watch certain movies, whereas Netflix seems to keep titles in its library for much longer. But as I am trying to get fluent in French by the end of 2020, I will most definitely be watching this one ASAP!

Most disappointing film of 2020

Tenet directed by Christopher Nolan

I was so excited about this film, the trailers looked great, the cast is phenomenal, and normally, Nolan delivers a smart and intelligent blockbuster. But with Tenet I think Nolan tried to be clever for the sake of being clever. If you strip away all the time stuff then it’s a just another spy movie, complete with a bad caricature villain and the usual underdeveloped female character. But what made this film the most infuriating to watch was the sound engineering! I like to hear what characters say, especially in a film when 90% of the dialogue is exposition! For anyone in a non-English speaking country, they undoubtedly benefited from the inclusion of subtitles so perhaps after a re-watch (with subtitles) I might go a little easier on this film. But then again probably not.