While I didn't read as many books as I had hoped to in 2021 in fact I changed my goal from 75 to 50 to 45 to 40 to 30 and still failed lol! But everyone always says its quality over quantity and I must admit that I did read a few really great books, so without further ado here are the 8 books that I loved in 2021.
Everyone loves Christmas movies; they are the perfect antidote to the cold dark days of Winter, and more so than ever this year they are great for lifting the mood.
In my Festive Favourites of Film & TV, I will also be answering some heavy-hitting questions such as is Love Actually actually good? Is Kubrick’s Eyes Wide Shut a Christmas film? And, of course, the much-debated Nightmare Before Christmas conundrum, is it a Halloween film or a Christmas movie?
So without further ado, let’s say cheers to the season and have a look at my Festive Faves
A classic that I have watched over and over again since I was a child. Back in the day, my sister and I would watch it on VHS tape probably every year, and we were utterly obsessed with Angels with Filthy Souls the fake black and white gangster movie that Kevin watches and would re-enact the scene over and over again (we still do sometimes). I also think the idea of being left home alone over Christmas spoke to my introverted soul, and I felt that I would totally enjoy it. But I guess every kid felt the same and as you grow up you realise half the joy of Christmas is the communal experience (RIP Christmas 2020).
I have so much love for this stop-motion masterpiece and while some may argue that it is a Halloween movie I most ardently think that it is a Christmas film and one of the best at that. I think it captures the wonder and awe of Christmas in a very unique and charming way. I watch The Nightmare Before Christmas every year and will probably be watching it on Christmas Eve this year or maybe tonight who knows.
I am a sucker for a Rom-Com and The Holiday is my festive film of choice within that genre, I was umming and ahhing as to whether I should choose Love Actually instead, but I’m not so sure about that film anymore.
I feel like modern dissections make me realise that it’s somewhat problematic, but I still find some of it funny, like the scene with Rowan Atkinson pretentiously wrapping a gift.
But anyway, back to The Holiday, and while it’s not without its issues, I would be inclined to say that it has aged better than Love Actually. It’s light-hearted fluff, and tbh I would totally spend Christmas at Iris’s cute country cottage.
Carol is gorgeously shot, and the performances by Cate Blancett and Rooney Mara are stunning. I love the moment Carol and Therese meet at the department store.
Also, Therese reminds me of how I used to behave working in retail over Christmas, nervous and quoting product specifications because I read all the material on the items I had to sell. I also wrote a film review of Carol a few years back on my old blog that I copied over to this one (wow, 5 years, to be precise!).
This Norwegian language TV series is a concoction of romantic comedy genre tropes in one delightfully festive package, and I can’t get enough!
Joanne is a single 30-year-old nurse who is quite ok with her relationship status until the festive season rolls around. At the first advent dinner, her family criticise her for not having a boyfriend and sit her next to her brother’s noisy twins. Hell on earth, essentially.
So in true rom-com heroine style, instead of resigning herself to a repeat come Christmas Day, Joanne announces that she has a boyfriend without thinking. Thus a mad 24-day hunt ensues as she tries to find the perfect man to bring home for Christmas.
Am I clutching at straws to include this film in a Festive Favourites list? After all what says Christmas more than a secret high society sex cult?
Well, nothing other than the fact that Eyes Wide Shut takes place over the festive season, and I love Stanley Kubrick, so you can’t stop me from including it!
While it’s not your usual Christmas movie brimming with festive cheer or romance, it’s almost like a shot of reality, or perhaps it could even be called an Anti-Christmas film.
Film Critic Lee Seigel wrote:
“There is the fantasy of absolute gratification, cynically projected from every corner of the culture, and there is the reality of the cookie and the child and the homework and the companion you have chosen, and for whom, despite everything, you sit at home waiting. Compared with the everyday reality of sex and emotion, our fantasies of gratification are, yes, pompous and solemn in the extreme. That is why the film’s recurrent motif is of the Christmas tree. For desire is like Christmas: it always promises more than it delivers.”
This analysis really hits the nail on the head. When you delve deeper into the film, its themes of sexuality, ego, desire, and sexism really are complemented by the fantastic metaphor of Christmas. And, of course, it goes without saying that all those lights make for great cinematography.
Let me know in the comments what your Favourite Festive Film and TV picks are.
It’s no secret that I love films. I think everyone I have ever encountered in my life knows this, I love watching them and I love talking about them. I would even love to be a director myself one day. So who are the filmmakers that fuel my fervent desire to consume movie after movie? I’ll break it down for you…
It all started with 2001: A Space Odyssey, I watched it one night, many nights ago on my 13 inch laptop screen (not ideal conditions, but it was either that or an equally tiny HD ready tv) and I was blown away. I love Science Fiction, but Kubrick made this film more than just a genre piece, its an epic tale of human ambition that highlights our desperate need for knowledge to affirm our place in the universe.
Since then I have watched many more of Kubrick’s films and I have to attest that he may just be the greatest filmmaker of all time. What do you think?
Everyone has heard of Oldboy (I think? If not, are you even alive?) it is probably the most famous Korean movie due to its ultra violence and oedipal twist (sorry for the spoiler, you should have watched it already!). But I actually started my Park Chan Wook journey with Stoker (his first and only (to this date) English language film) and then I’m a Cyborg But That’s OK , a quirky comedy set in a mental institution. Since those two movies I have watched the rest of his films (that have been released here in England anyway) and I am utterly obsessed with his style. I think he is a master of cinematography, just look at The Handmaiden for example, I mean even the trailer for the film made me gush at how beautiful it looks!
Villeneuve is a wizard and one of the only directors making solid smart sci-fi films in Hollywood right now! I first came across his work with his film Enemy starring Jake Gyllenhaal as a man who discovers he has a Doppelgänger, what transpires is a Kafkaesque psychological thriller. It’s a very intriguing watch.
But for me Arrival and Blade Runner 2049 have cemented his status as one of the most formidable directors of the moment and I’m sure his re-imaging of the cult classic film and book Dune is only going to confirm that status.
Quirky indie director Anderson may have the most iconic film aesthetics in the industry, you can spot his films in an instant due to the colour palettes, symmetrical framing, attention to detail and many other things that this video does a great job of pinpointing. I discovered Rushmore on TV one afternoon many many years ago and lets just say I have never looked back. In terms of his entire filmography I would have to say that my favourites have to be The Royal Tenenbaums and The Grand Budapest Hotel.
Von Trier has to be one of the most notorious filmmakers in the world, his films are shocking and often polarise audiences. I discovered Von Trier through Melancholia, a gem of a film that I feel not enough people have watched. It’s rather depressing seeing as it concerns the end of the world but the execution is simply wonderful and Kirsten Dunst and Charlotte Gainsbourg are phenomenal in the film. It’s a must see, as is the highly controversial Nymphomanic Part I & II, which once again stars Gainsbourg who plays a self-diagnosed Nymphomanic who retells her sexual odyssey to a random stranger after he finds her beaten up on a street one night. It’s weird, it hilarious, a little (ok very) graphic but ultimately its an intriguing portrait of human sexuality at its extreme.
Natural light, muted colour palettes, lost melancholic characters, complex female stories - this is what makes Coppola’s work so distinctive and compelling. Lost in Translation was one of the first movies I remember watching and obsessing over, before that I was just your casual movie watcher aged 10, afterwards I emerged enlightened in the art of cinematography and subtle storytelling.
Another one of Coppola’s films that I adore is Marie Antoinette, it was progressive, post punk music in a period piece? Converses in the Palais de Versailles? The film is ultimately a Candy coloured aesthetic dream and I am all for it. But behind the seemingly sugar sweet and vapid visuals lies a story about a young girl coming to terms with womanhood and the responsibility that comes with it. A universal theme that unites all women together. And that’s where the power of the film lies, that and its unapologetic stance on the seeking of beauty for beauty’s sake (as a Libra this speaks to my soul).
Full disclosure I have only ever watched one of Spike Jonze’s films and that film would be, Her. But I feel like I still have enough reasons to include him as one of the many directors that I admire. I just find everything about this film inspiring, the visuals, the story, the music, the acting. I't’s perfect. I feel like it is one of my favourite movies of all time and it will continue to be for a very very long time. Her feels like such a timely film as it deals with dating and isolation in a technology focused society. Although to be honest I wouldn’t mind inhabiting this soft pastel coloured world where the world is seemingly not sinister.
Godard and his films will always go down in History as some of the most influential pieces of Cinema. Breathless is a masterpiece, but my favourite Godard movie has to be Une Femme est Une Femme. Anna Karina as Angela is iconic: the makeup, the fashion, the hair. The scene where they insult each other using book titles is genius and I just love the quirkiness of the direction.
Malick is a poetic filmmaker, the visuals are never not sumptuous and beautiful and its particularly (but not limited to) his work with cinematographer Emmanuel Lubezki that I am in awe of. I feel so inspired watching his movies, they make me want to make art and understand human nature on an even deeper level. I can’t wait to check out his newest film A Hidden Life which debuted and won two prizes at Cannes this year!
Hong Sang Soo is a master of realism. His films bring you into the everyday lives of his complex and philosophical characters in such a way that you feel what they feel. You feel the hope, the heartbreak and the aimlessness. He has been heralded as the Korean Woody Allen, which I tend to agree and disagree with. Nonetheless I fell in love with his movies recently thanks to a Selectrospective of his work on MUBI.
Tarantino is the patron saint of ultra violent cinema. His films are hilarious and stylish and he has made quite a number of iconic female characters. The dialogue and how he shoots it in his films is always fascinating to me, one example that I am still fascinated by is the opening scene of Inglorious Basterds and the dialogue between Christoph Waltz’s Hans Landa and the dairy farmer who is harbouring jews. The way Tarantino builds tension is masterful.
Another South Korean director raising the bar for western filmmakers is Bong Joon Ho. He has quite the eclectic filmography with movies like Okja, Memories of Murder, Snowpiercer, The Host and many more including his new Palme D’Or Winning film Parasite. Snowpiercer like many other film watchers blew me away with its study on social classes and of course any film that has Song Kang Ho in it is going to be phenomenal.
Let me know in the comments section what Director’s work inspires you and also let me know if you like these film posts and want more reviews and recommendations!
