French Cinema: Mon Roi (My King) film review

Mon Roi directed by Maïwenn, tells the story of Marie-Antoinette “Tony” and her passionate yet tumultuous relationship with Georgio.

Emmanuelle Bercot and Vincent Cassel are brilliant in their roles as Tony and Georgio; Bercot proved this by winning best actress at Cannes for her performance. The raw realism in their elation, passion and despair is extraordinary, and it is the driving force behind what makes this film so compelling. Louis Garrel also delivers a fantastic performance as Tony’s brother, who brings much-needed humour and familial support. But the beauty in this film very much lies in the complexity of the relationship between Tony and Georgio,

I love how Maïwenn uses Tony’s rehabilitation from a skiing injury as a framing device for the film, as it is a time for slowing down and reflection. Naturally, she starts to delve into her past during this downtime. In fact, it’s almost as if the treatment of a physical injury allows her the time to heal the mental one too. The injury Tony has is also very symbolic, which the physiotherapist points out a the beginning of the film. Le genou (knee) is the only joint that can bend backwards.

Thematically there is a lot to unpack in this film. You have the changeability of relationships, discussions of mental health and gender roles. At the beginning of their relationship Tony and Georgio seem perfect for each other; they share a sense of humour and have an electric chemistry, but as time passes, Tony and thus the audience finds Georgio’s behaviour increasingly problematic.

“You leave people for the same reason that attracted you in the first place.”

He abandons his pregnant wife to live alone, spends more time looking after his ex, and parties without consideration for Tony, who has clearly suffered a deterioration in mental health due to postpartum depression and Georgio’s behaviour. Mental Health is also weaved throughout the narrative of the film via the characters of Tony and Georgio’s ex Agnès who attempted to commit suicide upon hearing that Tony was pregnant with Georgio’s baby.

And finally, gender roles are examined through the idea of how men and women and thus mothers and fathers, are supposed to be in the eyes of society. Georgio mentions that as a husband and a father, he is supposed to always be strong and in control. But, he often finds himself taking drugs and sleeping with random women because he falters, and he tries to hide this to protect Tony’s image of him as a model man. Toxic!

French Cinema: Juste la fin du monde (It's Only the End of the World) Film Review

It’s Only the End of the World is a French-language film directed by Xavier Dolan. The film stars Gaspard Ulliel, Nathalie Baye, Marion Cotillard, Léa Seydoux, and Vincent Cassel who are arguably some of the biggest names in French cinema.

Based on the play of the same name by Jean-Luc Lagarce the narrative of the film follows Louis, a playwright on his trip home for the first time in 12 years wherein he plans to tell his family that he is dying.

It’s easy to see that this film is based on a play due to its intimate settings, small core cast and telling dialogue where what isn’t said is just as intriguing and important as what is said. I also love how there is so much ambiguity throughout the film as it’s never revealed why Louis left in the first place only that something triggered it. This for me adds to the realism of the film as the story is essentially about how important communication is and how we often fail to listen to each other which results in awkwardness and resentment especially when it comes to family. In some parts, it did feel a bit over the top, especially when Louis is in the company of his aggressive older brother Antoine, who just can’t help but be a complete prick to everyone around him, but for the most part, it was a compelling family drama.

This is the first film by Xavier Dolan that I have seen and I must say that I’m kind of annoyed that I haven’t watched any of his work sooner as I was really quite taken aback by the cinematography (claustrophobic close-ups, intense colour grading) and the use of soundtrack in the film. Especially the use of O-Zone’s Dragostea Din Tei (yes that so cheesy it’s kind of good song from 2003) and Exotica’s Une miss s’immisce and how they weave into moments from Louis’s memories. These scenes are a world away from the claustrophobia of the family home in the present. Running hopefully over a sun-drenched field as a kid or a sensually lit (oranges, pinks and greens dominate the colour palette here) teenage sexual encounter, these flashbacks are beautifully nostalgic and the music only helps to create the atmosphere for each one.

« la prochaine fois nous serons préparés »

“We'll be better prepared next time…”

The film’s ending is also quite visually striking with severe fiery oranges that take over the colour palette due to the sun setting. It is also a fitting symbol for how intense and fraught the whole day has been for Louis and that perhaps like the setting sun signals the end of a day, this sunset is the end of his connection with his family. Bird imagery is also dispersed throughout the film but most notably at the end with a surreal moment where a small cuckoo escapes the cuckoo clock and flies frantically around the house searching for a way out. Almost certainly a metaphor for Louis himself, he flew the coup and should not have returned and as it lies dying on the floor at the close of the film, he too is on his journey towards death, alone.

 
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In The Mood for Love: A Valentine's Day Lockdown Watchlist

I have created a video with all the best romance movies to watch while in lockdown this Valentine's Day. There’s classic romances, French gems such as the always charming Amelie and one of the most tragic love stories I have ever watched.

Let me know in the comments section what your favourite romance movies are.

French Cinema: La Haine (Hate) Review

La Haine follows three young men in the banlieues (suburbs) of Paris for almost 24 hours as they navigate the aftermath of a riot wherein a friend has been shot. Directed by Matthew Kassovitz and starring Vincent Cassel, Hubert Koundé and Saïd Taghmaoui, this hard-hitting French film from 1995 still feels just as relevant in 2021. How is that possible?!

Presented in a stark but beautiful monochrome palette, La Haine holds nothing back. The narrative explores a wealth of topics including race, masculinity, police brutality, poverty, the aimlessness of youth and societal expectations. In most cases, this would be too much material to cover coherently in a film; however, the simplicity of the 24h timeline makes it possible.

« C'est l'histoire d'un homme qui tombe d'un immeuble de 50 étages. Le mec, au fur et à mesure de sa chute, il se répète sans cesse pour se rassurer: Jusqu'ici tout va bien. Jusqu'ici tout va bien. Jusqu'ici tout va bien. Mais l'important, c'est pas la chute, c'est l'atterrissage. »

“Heard about the guy who fell off a skyscraper? On his way down past each floor, he kept saying to reassure himself: So far so good... so far so good... so far so good. How you fall doesn't matter. It's how you land!”

The story of the falling man is repeated throughout the film. This is an obvious metaphor for the three central characters and society as a whole (which Cassel’s character notes later on). It’s also interesting that graffiti and billboards have ironic messages throughout the film such as ‘L'avenir c'est nous’ (We are the future) and ‘Le Monde est à vous’ (The world is yours) which Saïd changes to ‘Le Monde est à nous’ (The World is ours). Escaping the poverty of the banlieues is impossible for these young men because society doesn’t allow them the chance to better themselves.

Another motif that drives the plot, perhaps just as much as the falling man story is the gun. Vinz carries the police revolver for most of the film, its always present but hidden from sight. Another metaphor, but for violence this time. It’s also a device that builds tension and is a literal use of the narrative technique Chekov’s Gun. “If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off. If it’s not going to be fired, it shouldn’t be hanging there.“ (Chekov, 1911). We are anxious throughout the film because we know that this gun will be used, but up until the very last moment of the film, we don’t know how or when!

« Je me sens comme une petite fourmi perdue dans un univers intergalactique »

“I feel like a little ant lost in an intergalactic universe.”

Normally films become less and less relevant as the year’s pass, or they become offensive because of how backwards their representations were (Hello, Mickey Rooney as Mr Yunioshi in Breakfast at Tiffany’s and Laurence Olivier in blackface as Othello!). Unfortunately, La Haine is feeling more and more relevant, especially in the last year with the Black Lives Matter marches around the world.

 
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March 2020 Watchlist

This is my March watchlist. It is a good month to be a Korean drama fan as we are spoilt with so many new and awesome shows. And of course, Westworld is finally back on our screens! And Netflix has a new German-language drama that I’m intrigued by.

Hyena - Netflix & SBS - Already airing

Yes, March is very much the month of Ju Ji-hoon (Kingdom S2 is also coming out this month! see below), who is one of the most versatile and intriguing actors in Korea (my opinion anyway). Hyena sees Ju portray hotshot lawyer Yoon Hee-Jae, who comes into conflict with a scrappy willing to do anything for money lawyer Jung Geum-Ja (played by Kim Hye-Soo). From the preview and the first few episodes that have already aired this drama feels like it’s going to be so much fun and the dynamic between Ju and Kim is already epic!

I'll Go to You When the Weather is Nice - Viki & JTBC - Already Airing

The synopsis of this drama is that a woman moves back to the countryside to escape the pressures of city life where she encounters a handsome bookshop owner she used to know. I’m sold already. The first couple of episodes have set the scene beautifully and I can feel that this is going to be one of my favourite dramas this year as the vibe is a mix of Chocolate and Romance is a Bonus Book (both on Netflix! so go watch!).

Castlevania Season 3 - Netflix - March 5th

Castlevania is finally back! I love this anime and season 3 looks like it’s going to be just as epic as the first two. I don’t have any more to say other than amazing animation, awesome voice acting and vampires!

Kingdom Season 2 - Netflix - March 13th

After that season 1 cliffhanger I have been itching to watch season 2 and its finally almost here! I wrote a blog post last year as to why I am obsessed with this show so if you haven’t read that go do it now and if you haven’t watched season 1 yet, get on netflix and binge it!

Westworld Season 3 - Sky Atlantic/Now TV & HBO - March 15th

The stakes have got even higher for Westworld Season 3 and I am all for it. I am excited to see where this journey into the world outside the theme park takes the characters, and it looks like Dolores is going to go full-on revolutionary mode. Also, some cool new additions to the already impeccable cast include the dude from breaking bad and Vincent Cassel. Said dude from Breaking Bad is Aaron Paul..it took me a while to remember his name.

A Piece of Your Mind - March 23rd - Viki & TvN

Jung Hae-in is back in another romance drama! Yay! I swear he always plays the most swoon-worthy characters, so hopefully, the trend continues. A Piece of Your Mind follows Ha Won a programmer who falls in love with Han Seo-Woo, a classical musician. I am all about random romantic partnerships as it’s interesting to see how people from completely different worlds connect.

Freud - Netflix - March 23rd - Netflix & ORF

This Austrian TV show follows a young Freud as he uses psychoanalysis to solve an occult murder mystery in late 19th-century Vienna. Oh count me in, this show feels like it could be the new Penny Dreadful mixed with Hannibal. Hopefully, I am right.

Let me know in the comments what TV shows your looking forward to this month!