Best Films and TV Shows of 2019

It’s that time of year again, this is my list of the best of all the movies and tv shows I watched in 2019.

Films

All the films I am listing have had their wide release in the UK in 2019, so films like Burning which was released in Korea in 2018 still counts for 2019

Joker

Joker may have been the most buzzed-about film of 2019, well besides Avengers: Endgame that is. It’s the compelling proposition of Joaquin Phoenix as Joker that put the film on my radar when it was first announced.

A bleak and unforgiving look at how society and mental illness can warp a man. This is the darkest incarnation of the iconic Batman villain yet. Of course Joaquin Phoenix doesn’t surprise with his unflinching portrayal as a man at rock bottom. The film also rejuvenated my faith in DC as the Justice League Movie was underwhelming and while Aquaman was fun I do like a dark brooding superhero story. So this feels like a hark back to the Nolan trilogy in the best way possible.

Burning

A Korean film based on a Haruki Murakami short story. A winning combination if you ask me and if you add into the mix Director Lee Chang-dong and actors Yoo Ah-in and Steven Yeun, then you have one of the best thrillers in recent memory. It’s a poetically shot film with a powerful underlying sense of dread that builds and builds until it all comes to a crescendo at the end. I reviewed the film back at the beginning of last year so have a read if you want a full unpacking of my thoughts on the film here.

Midsommar

This film is more than just a film it’s an experience, a WTF am I watching experience that just keeps giving you weirdness after weirdness. It’s also one of the best experiences I’ve ever had watching a film at the cinema as the audience was audibly cringing and gasping together at the craziest parts of the film. My sister kept leaning over and whispering in my ear ‘what are you making me watch?’, well dear only one of the best movies of the year!

Ad Astra

James Grey’s Ad Astra is a slow study on loneliness and emotional wounds that is beautifully complemented by a symbolic journey into the furthest parts of our galaxy. Existential and awe-inspiring, Ad Astra also feels so thoroughly human and personal. Family is at the heart of the film which challenges the audience to take a closer look at what is just in front of them rather than miles and miles away.

Exit

Thanks to the London East Asia Film Festival, I won tickets to the European premiere to see this rather hilarious and smart film from Korea. Exit is a disaster action-comedy, yes that is a thing, and yes this film balances all of these genres tremendously well. The film follows Yong-nam a talented but unemployed rock climber as he tries to save his whole family and his crush from a deadly gas that has been unleashed in downtown Seoul.

Knives Out

Funny, clever and thoroughly entertaining. Knives Out is an all-star comedy whodunnit in the style of Agatha Christie but for the modern age. Ana de Armas stole the film as Marta a nurse caught up in the mystery, and Chris Evan’s first post-Captain America role as Ranson the spoiled playboy of the family was a refreshing and thoroughly un-typecasted role for the actor. Twists and turns abound and no more can be said so go watch it!

TV Shows

Watchmen

HBO’s Watchmen is a fresh and compelling entry in the myriad of superhero centric stories out there at the moment. Rather than be a retelling of the graphic novel, the Watchmen series is its own thing with a storyline that centres around race rather than the cold war. Regina King as Angela Abar/Sister Night is one of the best black female characters I have ever seen on TV. I also think the show was absolutely fantastic, exciting and kept you guessing and in wonder, as the plot twists unfolded.

The Witcher

While Game of Thrones was epic, brilliant, groundbreaking TV it lost its way towards the end due to rather strange creative ideas regarding the plotting of events and the most lacklustre ending of Bran being the one to claim the iron throne. But not to fear Netflix swoops in with the exact remedy we all were seeking, an exciting new fantasy series in the form of The Witcher. This series is so much fun, Henry Cavill is amazing in the role of Geralt of Rivia, not just because he is mind-blowingly handsome but because he inhabits the role so convincingly. Also, the crisscrossing timelines create an interesting jigsaw puzzle of events that you have to slot together to make sense of the story which makes for an enjoyable watch. Love it: the humour, the cinematography, the world-building, the character development, everything.

Chocolate

Heartwarming, tragic, life-affirming are a few ways to describe the Korean language drama Chocolate. The drama follows Lee Kang and Moon Cha-young, a neurosurgeon and a chef as they fall in love while working at a hospice together. They have a complex history that adds another layer of intensity to the story, but the magic of the show is in the way everyone’s lives at the hospice intersect and everyone ends up teaching each other a valuable lesson about life, from the patients with limited time to the cold Lee Kang who softens over time. And at the heart of the show is food, the characters eat according to feelings and elevate food to more than just sustenance, its a way of bonding, of remembrance and of recovery. I wept my eyes out at most episodes because the story touched my heart so much and it became a cathartic and heartwarming moment each week for me, and the soundtrack is beautiful and it’s the only one I’ve listened to on repeat since One Spring Day and Something in the Rain. I will hands down say that this is one of my favourite Korean dramas to date, and I have watched an awful lot of them so that definitely says something about this one.

The House That Jack Built Review

The House That Jack Built is a polarising film that dares to go beyond the realms of what most directors would ever consider, but then that’s Lars Von Trier all over. I think he is one of the most fascinating directors working today and this film only proves this more.

The cast is rather spectacular from Matt Dillon’s disturbingly brilliant performance as Jack, Uma Thurman, Riley Keough, Sofie Gråbøl, Bruno Ganz, and a blink and you’ll miss it cameo from Yoo Ji-tae (Oldboy) that probably only Korean cinema fans like me would notice.

The narrative technique of The House That Jack Built is very similar to that of Trier’s Nymphomaniac films (the protagonist retells the story of their burgeoning affliction to a stranger) but it is very different too, especially towards the end. So basically this review is going to turn into a comparison between the two films…

What’s similar

 I love the way Trier writes the narrators in these two films, they are cultured and make interesting parallels between art, music and life. And then the people they tell their stories to comment on the implausibility of events; Verge notes that the incompetence of the police is very convenient in The House That Jack Built while Seligman notes that Jerome appears at moments in Joe’s life unrealistically and conveniently in Nymphomaniac

They both feature extreme imagery, graphic sex and graphic murder.

What’s different

The allusion to Dante’s Inferno that is fully revealed at the end but is quite clear throughout the film takes The House that Jack Built from being rooted in ‘reality’ to taking on a much more fantastical vibe.

Is The House that Jack Built, the male version of Nymphomaniac? Are both of these films showing how the different sexes show their depravity as seen by a biased society, for women it’s too much sex and for men too much bloodlust and brutality, toxic masculinity? Just a thought.

Russian Cinema - Лето (Leto) Review

Лето (Leto) which means Summer in English is a Russian Biographical Rock’n’Roll Musical set in 1980’s Leningrad in the dying days of the Soviet Union. It’s a love letter, a celebration to an era of dawning hope and rebellious youth which is beautifully captured by director Kirill Serebrennikov.

Leto follows the rise of one of the most iconic rock musicians of 80’s Russia, Viktor Tsoi of rock band Kino and his relationship with fellow musician Mike Naumenko of Zoopark and how they both navigated artistic expression, living in relative poverty and restricted success. The film also cleverly comments on the nature of the biographical film with a character who breaks the fourth wall after certain (unrealistic) moments to insist to the viewer that that event never really happened.

There is a frenetic energy in Serebrennikov’s direction which really shines in the musical interludes which include an aggressive cover of the Talking Heads’ Psycho Killer and a dreamy rendition of Passenger by Iggy Pop. Doodles appear on the screen in these musical interludes to create a mixed media music video like moment that instantly grabs your attention.

Teo Yoo a Korean actor born and raised in Germany steals the spotlight as Viktor Tsai and his understated performance and character evolution holds the film together.

Another moment that feels so creative and fun is when the characters recreate a range of rock’n’roll album covers, the nostalgia it conjures up in this quirky sequence is undeniable.

Leto is available to rent on Mubi

Swiss Cinema - Sarah joue un loup-garou (Sarah Plays a Werewolf) Review

A gripping portrayal of growing up and the dangerous isolation of being a misfit.

Swiss filmmaker Katharina Wyss’ debut is a powerful statement about growing up. Filmed in a 4:3 ratio to give every frame an uneasy claustrophobia we follow Sarah as she tries to connect with those around her. Her family life is bizarre, with not so subtle hints of incest. Sarah’s only outlet is to abandon herself onstage at her theatre group. But like many young imaginative and disturbed people Sarah falls into a dangerous waltz with depression.

Loane Balthasar’s fearless performance as Sarah drives the film and the realism in the direction makes it feel achingly true. Rich opulent colours dominate the colour palette of the film which gives it a sense of excess that veers towards the grotesque, a metaphor for Sarah’s psyche perhaps. Another aspect of the cinematography and style of the film that I enjoyed was he lingering shots on critiques of theatre performances, opera and Nietzsche which is very indie French cinema.

Overall, Sarah joue un loup-garou is a fantastic psychological journey into the mind of a girl on the cusp of womanhood who is too fragile to survive in a harsh and indifferent world.

Directors I Admire Part I

It’s no secret that I love films. I think everyone I have ever encountered in my life knows this, I love watching them and I love talking about them. I would even love to be a director myself one day. So who are the filmmakers that fuel my fervent desire to consume movie after movie? I’ll break it down for you…

Stanley Kubrick

It all started with 2001: A Space Odyssey, I watched it one night, many nights ago on my 13 inch laptop screen (not ideal conditions, but it was either that or an equally tiny HD ready tv) and I was blown away. I love Science Fiction, but Kubrick made this film more than just a genre piece, its an epic tale of human ambition that highlights our desperate need for knowledge to affirm our place in the universe.

Since then I have watched many more of Kubrick’s films and I have to attest that he may just be the greatest filmmaker of all time. What do you think?

Park Chan Wook

Everyone has heard of Oldboy (I think? If not, are you even alive?) it is probably the most famous Korean movie due to its ultra violence and oedipal twist (sorry for the spoiler, you should have watched it already!). But I actually started my Park Chan Wook journey with Stoker (his first and only (to this date) English language film) and then I’m a Cyborg But That’s OK , a quirky comedy set in a mental institution. Since those two movies I have watched the rest of his films (that have been released here in England anyway) and I am utterly obsessed with his style. I think he is a master of cinematography, just look at The Handmaiden for example, I mean even the trailer for the film made me gush at how beautiful it looks!

Denis Villeneuve

Villeneuve is a wizard and one of the only directors making solid smart sci-fi films in Hollywood right now! I first came across his work with his film Enemy starring Jake Gyllenhaal as a man who discovers he has a Doppelgänger, what transpires is a Kafkaesque psychological thriller. It’s a very intriguing watch.

But for me Arrival and Blade Runner 2049 have cemented his status as one of the most formidable directors of the moment and I’m sure his re-imaging of the cult classic film and book Dune is only going to confirm that status.

Wes Anderson

Quirky indie director Anderson may have the most iconic film aesthetics in the industry, you can spot his films in an instant due to the colour palettes, symmetrical framing, attention to detail and many other things that this video does a great job of pinpointing. I discovered Rushmore on TV one afternoon many many years ago and lets just say I have never looked back. In terms of his entire filmography I would have to say that my favourites have to be The Royal Tenenbaums and The Grand Budapest Hotel.

Lars Von Trier

Von Trier has to be one of the most notorious filmmakers in the world, his films are shocking and often polarise audiences. I discovered Von Trier through Melancholia, a gem of a film that I feel not enough people have watched. It’s rather depressing seeing as it concerns the end of the world but the execution is simply wonderful and Kirsten Dunst and Charlotte Gainsbourg are phenomenal in the film. It’s a must see, as is the highly controversial Nymphomanic Part I & II, which once again stars Gainsbourg who plays a self-diagnosed Nymphomanic who retells her sexual odyssey to a random stranger after he finds her beaten up on a street one night. It’s weird, it hilarious, a little (ok very) graphic but ultimately its an intriguing portrait of human sexuality at its extreme.

Sofia Coppola

Natural light, muted colour palettes, lost melancholic characters, complex female stories - this is what makes Coppola’s work so distinctive and compelling. Lost in Translation was one of the first movies I remember watching and obsessing over, before that I was just your casual movie watcher aged 10, afterwards I emerged enlightened in the art of cinematography and subtle storytelling.

Another one of Coppola’s films that I adore is Marie Antoinette, it was progressive, post punk music in a period piece? Converses in the Palais de Versailles? The film is ultimately a Candy coloured aesthetic dream and I am all for it. But behind the seemingly sugar sweet and vapid visuals lies a story about a young girl coming to terms with womanhood and the responsibility that comes with it. A universal theme that unites all women together. And that’s where the power of the film lies, that and its unapologetic stance on the seeking of beauty for beauty’s sake (as a Libra this speaks to my soul).

Spike Jonze

Full disclosure I have only ever watched one of Spike Jonze’s films and that film would be, Her. But I feel like I still have enough reasons to include him as one of the many directors that I admire. I just find everything about this film inspiring, the visuals, the story, the music, the acting. I't’s perfect. I feel like it is one of my favourite movies of all time and it will continue to be for a very very long time. Her feels like such a timely film as it deals with dating and isolation in a technology focused society. Although to be honest I wouldn’t mind inhabiting this soft pastel coloured world where the world is seemingly not sinister.

Jean-Luc Godard

Godard and his films will always go down in History as some of the most influential pieces of Cinema. Breathless is a masterpiece, but my favourite Godard movie has to be Une Femme est Une Femme. Anna Karina as Angela is iconic: the makeup, the fashion, the hair. The scene where they insult each other using book titles is genius and I just love the quirkiness of the direction.

Terrence Malick

Malick is a poetic filmmaker, the visuals are never not sumptuous and beautiful and its particularly (but not limited to) his work with cinematographer Emmanuel Lubezki that I am in awe of. I feel so inspired watching his movies, they make me want to make art and understand human nature on an even deeper level. I can’t wait to check out his newest film A Hidden Life which debuted and won two prizes at Cannes this year!

Hong Sang Soo

Hong Sang Soo is a master of realism. His films bring you into the everyday lives of his complex and philosophical characters in such a way that you feel what they feel. You feel the hope, the heartbreak and the aimlessness. He has been heralded as the Korean Woody Allen, which I tend to agree and disagree with. Nonetheless I fell in love with his movies recently thanks to a Selectrospective of his work on MUBI.

Quentin Tarantino

Tarantino is the patron saint of ultra violent cinema. His films are hilarious and stylish and he has made quite a number of iconic female characters. The dialogue and how he shoots it in his films is always fascinating to me, one example that I am still fascinated by is the opening scene of Inglorious Basterds and the dialogue between Christoph Waltz’s Hans Landa and the dairy farmer who is harbouring jews. The way Tarantino builds tension is masterful.

Bong Joon Ho

Another South Korean director raising the bar for western filmmakers is Bong Joon Ho. He has quite the eclectic filmography with movies like Okja, Memories of Murder, Snowpiercer, The Host and many more including his new Palme D’Or Winning film Parasite. Snowpiercer like many other film watchers blew me away with its study on social classes and of course any film that has Song Kang Ho in it is going to be phenomenal.

Let me know in the comments section what Director’s work inspires you and also let me know if you like these film posts and want more reviews and recommendations!